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1. Style and Staging. Aspectual Variations of Mise-en-Scène in Aaron Sorkin’s Television Serials

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwrV3JSsRAEG3EkxdRFNzpg9eeZDqdpWEYGAcHETzojNsp9FLtjEhGZjl48zf8A__DP_FLrE4H0ZMXk0MgJE3o6uS9qlS9IuRYSR0rrttMgQQmcGM6cwmLHSBaCCdFnTx-W5zf88urYtD_0erL54QFeeAwcZHTuAoVB_DgiVinM-DGWBFrYwDJsv_6olf-w5l6DLwFl1oWauWyWPLIv1It___Tq3zfRb4pffpLp78GlMEGWW-YIO2FJ9gkK1BtkYfh4uUJKLr3FGmgbyDUor26GnKJ196gYxsibHTq6MVkDgwqNjQf7xXQSUU7425PzaYVHdYh8M_Xt3knGnfp6LuInDbRsG1yPTgd9c9Y0wuB2XaSLRgooWyOvhgUmTUSZG504fDgLBQgtRQutkoX7dQleWoR9sEil0K6oW2cKpvsEOqlB2PctVMgeA5aWARvbTgOpfDGXXLip6N8DjoXpVeerk-gPcrGHuVf9tj7j0H2yRpH8hCyow_I6mK2hMPQruGoNvQXWYyx0A

   by Benjamim Picado

   Series (Bologna), Volume 9, Issue 1, pp. 31 - 46

   Journal Article : Full Text Online

2. Patriotism and a Free Press: A Content Analysis of Civil Religion in Aaron Sorkin's The (...)

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwpV1LS8QwEA7iQbz4Bh-rzEH01LVN3yLCslhEvPhCPJV0m-DCuivbKvjvncljsQfxYHtpCpM26WRmkn75hrFjkVe-4FXgCZlLL8LDqxIVer6S6C0ilUcaPP6c3bzwu_usGFo0YWNhlTSHVoYoQttqGtyiahwi7gwHaZRhGEDArKyPpSDhxAhKUxvU6MfidvEfIY11dlWS8EjE7eH5rZaOd-pwl3ZtNbcOqFhnE_fqGn3dN-gTsw7RgWU7fsd_tXKDrdlAFQZGszbZkpxusRWHYN5i-4utLnACZpMvGM6Rr232pZn_Z-24eQN8ARBQzKUEjfc4hwFoTqxpC44SBWYKhuPP8QTcA2A8hYvXy4GY4_WDXtE_bS7OXi8BFRsoHw48o9fVtdMdMtY0CdhhT8XV4_Das0kevBHOjlsvjSQRDGFbM-UnPs99IaM4TKWqgySuA6mUkjKtMTTC0KYmPrI0FjUPEplnYS3CXQbEqejjWSmU5amsohqjkmrER1Umgljtsch91XJkqc8pA8ekDCxDquvskjq7tJ29x_oLsXfD_fGXQP5TZcpWL7ookyGlDP-Q7Tn9Kq0ZaUpO_ggbnib7_6j6gK1SUeONwh5bbucf8tAkvzjSw-UbnWcO0A

   by Rear, Patrick G.; de los Santos, Theresa; Janssen, Savannah and Littlefield, Christina

   Journal Of Media And Religion, Volume 17, Issue 2, pp. 41 - 60

   Journal Article : Full Text Online

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3. Reconfigurations of the classical hero in the digital age: Aaron Sorkin’s The Social (...)

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwrV3NS8MwFA_iQbyIX-D8IqDXbG2aramMwRwW2UHwC_FUkjTZCtrK1nn23_Df8y_xJel0Ny-2t5SG5PfS93svfXkPoXORyEBQGRKhE00YXET2TEQCo4EtmEmYCx5_4uNnenvH09FKqS8bE-bTA3vgOqA7NcyWa6pjZmgswcAClpZGxdBZ7o7ugVe-4ky53ZUIHB9fjg4Ymli3fgOd2bhnIMygk1Z1Zf9bu8xDYdx-D4qQtaOuTf20Qk_LLP5RQzfpNtpq7EQ89OPbQWu63EXrafHyuodq6zOWppgsvPjmuDIYDDmsrClsUccgiQoXpWvNi4mtDIJBc1zg_nQwFLOqxPdul_zr43Pe70wHGJYL9kd18Y2PDMeizLEreobHlZzvo8f06mF0TZrqCUTRIKqJTrrAf4rnNGGg0XomCU3IpAD1p-A7FsYYHkl40FOxESLpUsFUKBMFouKKs-gAYZusMIBbGqEZjbVkOdC9VFRJLsKuaSG2RCt789kxMvAqHMjZL8iZBTlzIGcW5Ba6tMj-vGJTXLsGEHzWCD77S_CH_9HJEdq0Y3PxKewYrdezhT7xdSFO3Yr6BlFn0Gs

   by Frago, Marta

   Fotocinema, Issue 14, p. 159

   Journal Article : Full Text Online

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